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Two special issues on the 19th- and 20th-century art and architecture: Rudolf Fischer from the Archiv der Avantgarden - Staatliche Kunstsammlungen Dresden is currently guest-editing a special issue entitled "Mies van der Rohe und die neue Wohnkultur der 1920er und 1930er Jahre", while Alexandra Karentzos and Miriam Oesterreich from TU Darmstadt and Britta Schmitz from the National Gallery in Berlin are preparing a series of papers on Gottfried Lindauer's New Zealand paintings that breaks new ground in the debate on cultural transfer processes in 19th century.This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.In 1959, the municipality of Mostar decided to build a partisan cemetery […]This article places the Memorial Grove in Ryvangen within Danish history and the reception of WWII and argues for its particular qualities as a modernist re-working of a discredited monumental tradition […]This paper illustrates how old memories and histories are repurposed and refashioned at the India Gate, the archway located at the center of the Indian national capital, New Delhi.Although dedicated to […]This article discusses symbolic forms and the association of folklore and politics in the Riga Brethren Cemetery (Brāļu Kapi).[…]This paper recapitulates the changes that occurred to the German WWI graves on the Flanders Front from 1914 up to the period past WWII, when the task of maintaining the cemeteries was assigned to the Volksbund Deutsche Kriegsgräberfürsorge.[…]Robert Tischler, the architect responsible for the two German war memorials in North Africa, in Tobruk, Libya (1954-1955) and in El Alamein, Egypt (1956-1959), had already constructed similar memorials during the National Socialist period.[…]Placing soldiers within the narrative of Christ’s Way of the Cross serves a political-ideological agenda as well as a psychological need of local populations.

Delaunay’s "Homage to Blériot" is a testimony to the skills of the airplane constructors – the new heroes of a modern epic fantasy.

[…]By looking at German art historian Ludwig Grote’s efforts for internationalization, which can be traced back through his active involvement with art in and from Brazil, this article sheds light on the problematic relationship between established narratives of Modernism and the diverse archival layers of information accessible today.

[…]The article analyzes the loss of interest in the study of human anatomy through dissection of cadavers that characterizes the Baroque period, and that distinguishes the Baroque from the Renaissance and from Neoclassicism.

Robert Tischler, the chief architect of the German War Graves Commission from 1926 to 1959, decisively shaped the character of German war cemeteries at home and abroad.

Interestingly, the size of the oeuvre does not correspond to the very few facts we know about the author.

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It is only after the discussions that started in the mid-1990s regarding the participation of the Wehrmacht in war crimes that […]The German soldiers who fell during the Second World War were buried in large cemetery complexes throughout Europe.

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