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Kelly, just 26 when the film was released, handles things with real flair (and a great ear for song selection), and while the Director’s Cut only makes the mythology more impenetrable, it’s a fascinating sci-fi puzzle-box on top of everything else. “Battle Royale” (2000) The premise of kids killing each other in a government-supported game has now been popularized to billion-dollar effect with the (very good) “Hunger Games” franchise, but if we were going to choose one film in this tiny sub-genre, it was always going to be “Battle Royale.” The final film from Kinji Fukasaku sees a class of high school students fixed with explosive collars and forced to kill each other as part of a scheme intended to curb teen disobedience.

Lean, bloody, and with terrific action sequences (Quentin Tarantino called it his favorite film of the previous two decades), it’s also more than a mere genre piece: the students, and even their teacher (a smartly-cast Takeshi Kitano) are sensitively and three-dimensionally drawn, and its power as metaphor, both examining the power of violence and the demonization of youth, elevates it far above the tales of Katniss & co.

, but have since dropped into obscurity and that is where FWS comes in!

The robot butler and trips to the drug store in hovercars version hasn’t yet arrived, but the first 15 years of this century have been extremely fruitful for big-screen science fiction.Take a look below and let us know your favorites in the comments. “Edge Of Tomorrow” (2014) Taking “Groundhog Day” and giving it a sci-fi twist (more effectively than Duncan Jones’ “Source Code” a few years earlier), Doug Liman’s excellent blockbuster “Edge Of Tomorrow” picks up Tom Cruise’s dickish PR guy and drops him in the midst of a D-Day-style battle against an impossible alien threat, then makes him live it (and perish in it) over and over again.The film was the best use of Cruise’s star persona in aeons (serving almost as a metaphor for the redemption of his own stardom), but the secret weapon, aside from a cunning evocation of video game tropes, the best alien warfare since “Starship Troopers,” and crystal clear direction from a back-on-form Liman, was Emily Blunt as the “full metal bitch,” making a strong case that she deserves to be the biggest star in the world.Developed by EA and released on every console and system at the time, including the original Play Station and the failed 3DO.This game was a space combat simulator and like much like many of the games at the time, Shockwave Assault incorporated elements of FMV to spice up the setting with the majority of the missions taking place on Earth.

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